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 Film  

What do you get when you combine robotics, projection-mapped 3D computer graphics, and an actor all working together in perfect synchronization. It's a five-minute short film called "The Box" — and it is amazing.

What do you get when you combine robotics, projection-mapped 3D computer graphics, and an actor all working together in perfect synchronization. It's a five-minute short film called "The Box" — and it is amazing.

The short film was produced by San Francisco-based design and engineering firm Bot & Dolly.

The creators describe the film as being both an “artistic statement and technical demonstration”, one that explores “the synthesis of real and digital space through projection mapping on moving surfaces”.

The creative director for Box is Tarik Abdel-Gawad, who also worked on the upcoming film, Gravity, controlling robotics for the complicated special effects sequences of the film.

“Box” explores the synthesis of real and digital space through projection-mapping on moving surfaces. The short film documents a live performance, captured entirely in camera. Bot & Dolly produced this work to serve as both an artistic statement and technical demonstration. It is the culmination of multiple technologies, including large scale robotics, projection mapping, and software engineering. We believe this methodology has tremendous potential to radically transform theatrical presentations, and define new genres of expression.

To create this stunning effect, Bot & Dolly used an actor, two high-resolution projectors, two 2D monitors, and three industrial robots (one for the camera) that were synchronized and controlled by integrating their own software with Autodesk Maya.


What is more amazing is that this is a live performance captured in-camera.


SOURCE  Colossal

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  Art

Skillfully using Photoshop, Tadao Cern has brought a portrait of Vincent van Gogh to life.

V incent van Gogh's intense self-portrait transforms from a colorful oil painting into an intense stare-down, thanks to photographer Tadao Cern.

According to the tounge-in-cheek Cern, a long time ago a stranger asked him to make his portrait. He sent him the image and I never heard back from him. Then he saw one painting and I felt that it was very familiar.

All it took was a bit of Photoshop to morph the 1889 painting into a really intense photographic portrait. —



SOURCE  Tadao Cern

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